Spanish Punk

What does democracy sound like when it's shouted through a distortion pedal?
In 1975, Spain emerged from the long shadow of Franco’s dictatorship, stumbling toward democracy amid uncertainty, unrest, and unhealed wounds. In the same moment, a raw, raucous, and radically irreverent cultural force exploded onto the scene: punk.
Spanish Punk: Screaming for Democracy in a Postdictatorial State is the first in-depth study to trace the uniquely political trajectory of punk in post-Franco Spain. Far from just a musical genre, Spanish punk became a rebellious cultural matrix—a defiant, DIY response to the contradictions of a state trying to reinvent itself. Through fanzines, lyrics, testimonies, and subcultural style, punks posed urgent questions: What kind of democracy was being built? Who was being left out? And how do you scream dissent in a newly “free” society?
Blending historical, philosophical, musicological, and textual analysis, this book shows how punk served as both a glue for oppositional movements and a generator of alternative political identities. It’s a long-overdue exploration of how cultural resistance helped shape a generation’s answer to dictatorship—and its uneasy aftermath.

David Vila Diéguez is a musician, filmmaker, and scholar specializing in around Hispanic popular music and cultural studies. He grew up between the Basque Country and Galicia. He currently holds a professorship at California State University, Monterey Bay. He is one of the founding members of the cultural magazine Furman217 and the singer of the Latinx alternative band the Rumba Madre. Their album Prisiones y Fugaswas chosen as one of the best albums of 2020 by AllMusic, and he is always actively playing all over the world. He wrote an award-winning script for a long-form musical film based on the Rumba Madre’s second album, Apropiaciones Culturales V.2.