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The essays in this collection engage with Murasaki Shikibu's The Tale Genji as a work of philosophical significance, analyzing the text from a wide range of perspectives. The essays touch on almost all branches of philosophy and engage with topics such as the exercise of power, the concept of space, construction of personhood, cultural and artistic practices, and gender.
James McMullen, a Fellow of the British Academy, is a specialist on the history of Confucianism in Japan. He began his teaching career at the University of Toronto and is currently a Fellow Emeritus at Pembroke and St Antony's Colleges in the University of Oxford.
Editor's Note
Series Editor's Introduction
Introduction
Chapter 1: The Structure of Genji's Career: Myth, Politics and Pride, Royall Tyler
Chapter 2: The Epistemology of Space in The Tale of Genji, Wiebke Denecke
Chapter 3: Ritual, Moral Personhood, and Spirit Possession in The Tale of Genji,
James McMullen
Chapter 4: Flares in the Garden, Darkness in the Heart: Exteriority, Interiority and the Role
of Poems in The Tale of Genji, Edward Kamens
Chapter 5: Calligraphy, Aesthetics, and Character in The Tale of Genji, Tomoko Sakomura
Chapter 6: Genji's Gardens: Negotiating Nature at the Heian Court, Ivo Smits
Chapter 7: Rethinking Gender in The Tale of Genji, Rajyashree Pandey
Chapter 8: Murasaki's "Mind Ground:" A Buddhist Theory of the Novel, Melissa
McCormick
Further Reading
Index
