Mario Puzo

Omerta

kartoniert , 432 Seiten
ISBN 0099533251
EAN 9780099533252
Veröffentlicht Juli 2009
Verlag/Hersteller Cornerstone
13,00 inkl. MwSt.
Lieferbarkeit unbestimmt (Versand mit Deutscher Post/DHL)
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Beschreibung

To Don Raymonde Aprile's children he was a loyal family member, their father's adopted "nephew." To the FBI he was a man who would rather ride his horses than do Mob business. No one knew why Aprile, the last great American Don, had adopted Astorre Viola many years before in Sicily; no one suspected how he had carefully trained him . . . and how, while the Don's children claimed respectable careers in America, Astorre Viola waited for his time to come.
Now his time has arrived. The Don is dead, his murder one bloody act in a drama of ambition and deceit--from the deadly compromises made by an FBI agent to the greed of two crooked NYPD detectives and the frightening plans of a South American mob kingpin. In a collision of enemies and lovers, betrayers and loyal soldiers, Astorre Viola will claim his destiny. Because after all these years, this moment is in his blood. . . .

Portrait

Mario Puzo was born in New York and, following military service in World War II, attended New York's New School for Social Research and Columbia University. His best-selling novel The Godfather was preceded by two critically acclaimed novels, The Dark Arena (1955) and The Fortunate Pilgrim (1965). In 1978 he published Fools Die, followed by The Sicilian (1984), The Fourth K (1991), and the second instalment in his Mafia trilogy, The Last Don (1996), which became an international bestseller. Mario Puzo also wrote many screenplays, including Earthquake, Superman, and all three Godfather films, for which he received two Academy Awards. He died in July 1999 at his home in Long Island, New York, at the age of seventy-eight.

Pressestimmen

"Hugely effective fiction ... [Puzo] keeps his pack with readers to unfailingly deliver the goods" Literary Review "Here is all the classic material of Mafia mythology ... spins a spell all its own" The Times "Puzo's genius was to create a world so thick with personality and acknowledged rules of behaviour, along with its crime and violence, that reading his books becomes a seriously guilty pleasure" New York Post