We

We (1924) is a dystopian novel by Yevgeny Zamyatin. Written between 1920 and 1921, the novel reflects its author's growing disillusionment with the Communist Party of the Soviet Union during the Russian Civil War. Smuggled out of the country, the manuscript was translated into English by Gregory Zilboorg and published in New York in 1924.
In a series of diary entries, D-503, an engineer in charge of building the spaceship Integral, reflects on life in the One State. In this totalitarian society, people live within glass structures under direct, constant surveillance by the Benefactor and his operatives. When he is not working on the Integral, D-503 visits with his state-appointed lover O-90 and spends time with his friend R-13, a poet who reads his works at executions. On a walk with O-90, D-503 meets a free-spirited woman named I-330, who flirts with him and eventually convinces him to transgress the rules he has followed his whole life. Although he plans to turn her over to authorities, he cannot bring himself to betray her trust, and begins to have dreams for the first time in his life. Struggling to balance his duty to the state with his strange new feelings, D-503 moves closer and closer to the limits of law and life.
This edition of Yevgeny Zamyatin's We is a classic of Russian literature and dystopian science fiction reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.
With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Born in Russia in 1884, Yevgeny Zamyatin was one of those courageous and idealistic Communists who was willing to suffer for speaking out against the abuses of both the oppressive Tsarist monarchy and the quickly corrupted Soviet Union which supplanted it. As an early Bolshevik, Zamyatin enjoyed-at least initially-enough credibility after the October Revolution to continue to write philosophy and even political satire, becoming one of the first Soviet dissidents. This ended with his attempted publication in 1921 of his masterpiece, We, a novel about a futuristic police state that controlled not only every action of its citizens, but every thought and emotion as well. The parallels between his fictional One State and the emerging totalitarianism of the Communist Party were unmistakable, and We was the first work to be banned by the Soviet censorship board. Forced to look elsewhere for an audience, Zamyatin smuggled his work out of Russia and published it in the West. As a result, he was blacklisted entirely, and hence, to remain a writer, Zamyatin was forced to leave Russia. His petition for an exit visa to Stalin was granted (some say miraculously), though he never achieved the fame or genius outside Russia he had known within it. Zamyatin died in relative obscurity in Paris in 1937, five years after the publication of Brave New World, and twelve years before Nineteen Eighty-Four, two derivative works which would cement Zamyatin's place as one of the most influential authors of all time.