La Inteligencia Artificial Y El Fin del Arte

Artificial intelligence is also making a significant inroads into the art world, and a series of questions that until recently would have seemed unfamiliar to us now, for better or worse, seem familiar: Can a machine be truly creative? What does this mean for the theory and practice of art? Should we redefine art? Who or what should we consider a creator? How can we distinguish an original from a forgery? And in general, is it artistically relevant whether a work was created by a human or a machine? With one foot in aesthetic theory and the other in cultural criticism, Catrin Misselhorn examines the impact of artificial intelligence on the art world and questions whether, with their ability to generate visual, musical, or literary works, systems can replace human creation and force us to redefine what we understand by art. The author focuses not only on technological advances, but also on the ethical implications that challenge the present, an era in which machines are already taking over from artists.

Catrin Misselhorn es profesora de Filosofía en la Universidad Georg-August de Gotinga. Sus áreas de investigación son la gnoseología, la epistemología, la filosofía de la técnica y la antropología cultural. Especialmente reconocidos son sus trabajos sobre los retos éticos, psicológicos y estéticos que plantea el desarrollo de la robótica y la inteligencia artificial, temas sobre los que ha publicado diversas monografías y numerosos artículos científicos. Algunos de sus ensayos divulgativos han alcanzado popularidad.