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Erna Brodber provides a lucid and literary social history of the village of Woodside in St Mary, Jamaica, from slavery to 1944. The work is beautifully and sensitively informed by a variety of official sources, community meetings and oral histories. The range of the sources interpreted deftly makes this a path-breaking book in the social history of Jamaica.
Brodber's work is a pioneering contribution to the study of the ordinary people of Jamaica and can be used to stimulate and inform community development. The book will appeal to historians and anthropologists, Africans of the diaspora, and general readers.
"This work is the creative expression of the love affair between myself and the village in which was born and raised... Woodside, Pear Tree Grove P.O. combines the academic approach with fictive to produce a world in which the reader can walk, a world he can claim because his story has been used to make a community tale, grounded in orthodox historical facts."
-Erna Brodber
ERNA BRODBER is an award-winning novelist and independent scholar. Her many publications include the novels Nothing's Mat, The Rainmaker's Mistake, Louisiana, Myal, and Jane and Louisa Will Soon Come Home, and the nonfiction works The Second Generation of Freemen in Jamaica, 1907-1944, The Continent of Black Consciousness: On the History of the African Diaspora from Slavery to the Present, and Woodside, Pear Tree Grove P.O.
"Clear Word and Third Sight casts new light upon the argument of alternative consciousness by using relatively unknown writers and poets, particularly from the English and French West Indies, along with better known diasporic and American writers. It will be of significant interest to scholars concerned with discourses of difference rooted in notions of being and understanding that are not Western or Eurocentered." - Percy C. Hintzen, University of California, Berkeley; "Clear Word and Third Sight itself offers clarity and vision in a new and insightful reading of African diaspora literatures. Catherine A. John offers a necessary revisiting of negritude, a confidence in her examination of coloniality and gendered identity, and the embrace of magic and spirit and poetry." - Carole Boyce Davies, Florida International University"