The Man Who Knew Too Much

A man of means, Horne Fisher is a well-connected detective who's social and political influence gives him special insight into the underbelly of Britain's elite. G.K. Chesterton uses the protagonist to shine a light on the true nature on the ruling class. In The Man Who Knew Too Much, Horne Fisher leads a collection of short stories that constantly test his morals. He is frequently joined by his partner, a political journalist, named Harold March. Together, they work on various criminal cases often involving murder. Some of the most notable stories include "The Face in the Target," "The Vanishing Prince," "The Soul of the Schoolboy" and "The Bottomless Well." It is a compelling series of suspenseful tales with intriguing characters. The Man Who Knew Too Much was initially published as a serial in Harper's Monthly Magazine, and then as a full collection in 1922. It was also famously adapted for film by Alfred Hitchcock in 1934 and 1956, respectively.
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G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out. Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism. In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.