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Recounting the story of her life, Oei plunges us into the colorful world of nineteenth-century Edo, in which courtesans rub shoulders with poets, warriors consort with actors, and the arts flourish in an unprecedented moment of creative upheaval. Oei and Hokusai live among writers, novelists, tattoo artists, and prostitutes, evading the spies of the repressive shogunate as they work on Hokusai’s countless paintings and prints. Wielding her brush, rejecting domesticity in favor of dedication to the arts, Oei defies all expectations of womanhood—all but one. A dutiful daughter to the last, she will obey the will of her eccentric father, the man who created her and who, ultimately, will rob her of her place in history.
Vivid, daring, and unforgettable, The Printmaker’s Daughter shines fresh light on art, loyalty, and the tender and indelible bond between a father and daughter.
Katherine Govier’s most recent novel, The Ghost Brush, was published in the United States as The Printmaker’s Daughter, and in translation in Romania, Spain, Quebec, and Japan. Her novel Creation was a New York Times Notable Book of the Year. She has won the Marian Engel Award and the Toronto Book Award, and has twice been nominated for the Trillium Book Award. The author of twelve previous books, Katherine Govier divides her time between Toronto, Ontario, and Canmore, Alberta.