'Remarkable . . . People will be inspired by it to look again at the world and its mysteries.' CELIA PAUL
An expansive, wonder-filled collection exploring art, science and travel
From the celebrated poet, novelist and memoirist, The Vast Extent is a constellation of "exploded essays" about light and image, seeing and the unseen. Each is a record of how thought builds and ideas emerge, aligning art, myth, strange voyages, scientific scrutiny and a poet's response so that they cast light upon each other. Ranging across caves, seasickness, early photography, boredom, wonder, mountains, mice, the body and its shadow, from the Arctic at midwinter to a shingle spit in Norfolk at midsummer, Lavinia Greenlaw invites us to travel such questions as how we might describe what we have never seen before or what helps us to see more clearly or persuades us to see what's not there. Art, science, technology, vision and memory inform one another in this original and illuminating work.
'[Greenlaw] wields her erudition lightly.' Sunday Times

Portrait

Lavinia Greenlaw was born in London. She studied seventeenth-century art at the Courtauld Institute, and was the first artist in residence at the Science Museum. Her awards include a Nesta Fellowship, the Ted Hughes Award for her immersive soundwork, Audio Obscura, and a Wellcome Engagement Fellowship. She has published six collections of poetry with Faber, including Minsk (2003), which was shortlisted for the T. S. Eliot, Forward and Whitbread Poetry prizes, A Double Sorrow: Troilus and Criseyde (2014) which was shortlisted for the Costa Poetry Award, and The Built Moment (2019). Her novels include In the City of Love's Sleep (2018), and her non-fiction includes The Importance of Music to Girls (2007), Some Answers Without Questions (2021) and The Vast Extent: On Seeing and Not Seeing Further (2024). Her Selected Poems was published in 2024. She is Emeritus Professor at Royal Holloway, University of London.