Stöbern
genialokal zum Startbildschirm hinzufügen
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Tippen Sie einfach auf Teilen:
Und dann auf "Zum Home-Bildschirm [+]".
Bei genialokal.de kaufen Sie online bei Ihrer lokalen, inhabergeführten Buchhandlung!
For fans of Lemony Snicket's Series of Unfortunate Events and Trenton Lee Stewart's Mysterious Benedict Society, here comes the final book in the Incorrigible Children of Ashton Place, the acclaimed and hilarious Victorian mystery series by Maryrose Wood.
Unhappy Penelope Lumley is trapped in unhappy Plinkst! Even the beets for which Plinkst is inexplicably famous fail to grow in this utterly miserable Russian village. Penelope anxiously counts the days and wonders how she will ever get back to England in time to save all the Ashtons—who, she now knows, include herself and the Incorrigible children, although their precise location on the family tree is still a mystery—from their accursèd fate.
Her daring scheme to escape sends her on a wildly unexpected journey. But time is running out, and the not-really-dead Edward Ashton is still on the loose. His mad obsession with the wolfish curse on the Ashtons puts Penelope and the Incorrigibles in dire peril. As Penelope fights her way back to her beloved pupils, the three brave Incorrigibles endure their gloomy new tutor and worriedly prepare for the arrival of Lady Constance's baby. Little do they know the danger they're in!
In this action-packed conclusion to the acclaimed series, mysteries are solved and long-lost answers are found. Only one question remains: Will Penelope and the Incorrigibles find a way to undo the family curse in time, or will the next full moon be their last?
Maryrose Wood is the author of the first five books (so far!) in this series about the Incorrigible children and their governess. These books may be considered works of fiction, which is to say, the true bits and the untrue bits are so thoroughly mixed together that no one should be able to tell the difference. This process of fabrication is fully permitted under the terms of the author's Poetic License, which is one of her most prized possessions.
Maryrose's other qualifications for writing these tales include a scandalous stint as a professional thespian, many years as a private governess to two curious and occasionally rambunctious pupils, and whatever literary insights she may have gleaned from living in close proximity to a clever but disobedient dog.