The Dog's Gaze

What do dogs do in art?
Long before the phrase 'man's best friend' became common parlance, dogs were already standing beside us in art as in life. In The Dog's Gaze, the historian Thomas W. Laqueur invites us to explore why they feature more than any other animal in the ways in which we picture ourselves and our stories.
Dogs have been ubiquitous in the worldmaking of visual artists as far back as the Palaeolithic age. Looking across the western tradition, from Giotto to Goya and Rubens to Rego, Laqueur shows what their presence - as hunting partners, beloved friends and even conduits to the afterlife - reveals about our own ways of seeing and how we want to be remembered. Far from being mere motifs, dogs are an integral and intentional element of the images in which they appear: they provide narrative coherence; they look out and bear witness, often on the artist's behalf; they illuminate our understanding of morality and melancholy and some, like us, become celebrities. Indeed, as the author shows, dogs in art are our social doppelgängers, our companions in looking and being.
Richly illustrated and lovingly written, The Dog's Gaze is a unique visual history that examines the shared social history of our two species and offers fresh insights into the human condition through the eyes of our canine companions.

Thomas W. Laqueur is the Helen Fawcett Distinguished Professor of History Emeritus at the University of California, Berkeley. An internationally renowned cultural historian, he has published books on topics ranging from working class religion and education during the industrial revolution to the history of sexuality and the body. He is a member of both the American Academy of Arts and Sciences and the American Philosophical Society, and recipient of the 2007 Mellon Foundation Distinguished Achievement in the Humanities Award and the 2016 Cundill Prize for Historical Literature. His work has been translated into twenty languages.