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This vintage book contains a small collection of stories written by the Russian novelist, Ivan Sergeyevich Turgenev. The stories in this collection include: 'The Diary of a Superfluous Man', 'A Tour in the Forest', 'Yakov Pasinkov', 'Andrei Kolosov', and 'A Correspondence'. Ivan Sergeyevich Turgenev (1818 - 1883) was a Russian novelist who also wrote short stories and plays. His first major book was a collection of short stories entitled 'A Sportsman's Sketches' (1852), which constituted a milestone in Russian Realism. His 1862 novel "Fathers and Sons" is considered to be one of the most important works of nineteenth century fiction. Many antiquarian books such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this volume now in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.
Ivan Sergeyevich Turgenev (1818 - 1883) was a Russian novelist, short story writer, poet, playwright, translator and popularizer of Russian literature in the West. His first major publication, a short story collection entitled A Sportsman's Sketches (1852), was a milestone of Russian realism and his novel Fathers and Sons (1862) is regarded as one of the major works of 19th-century fiction. Turgenev's artistic purity made him a favorite of like-minded novelists of the next generation, such as Henry James and Joseph Conrad, both of whom greatly preferred Turgenev to Tolstoy and Dostoyevsky. James, who wrote no fewer than five critical essays on Turgenev's work, claimed that "his merit of form is of the first order" (1873) and praised his "exquisite delicacy", which "makes too many of his rivals appear to hold us, in comparison, by violent means and introduce us, in comparison, to vulgar things" (1896). Vladimir Nabokov, notorious for his casual dismissal of many great writers, praised Turgenev's "plastic musical flowing prose", but criticized his "labored epilogues" and "banal handling of plots". Nabokov stated that Turgenev "is not a great writer, though a pleasant one" and ranked him fourth among nineteenth-century Russian prose writers, behind Tolstoy, Gogol and Anton Chekhov, but ahead of Dostoyevsky. His idealistic ideas about love, specifically the devotion a wife should show her husband, were cynically referred to by characters in Chekhov's "An Anonymous Story".