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i-iv -- Foreword -- Contents -- Aesthetic Illusion -- Illusion and the Cognitive Sciences -- The Illusion of `Illusion- -- Synaesthesia: Perception and Metaphor -- The Aesthetics of Communication and the Reproduction of Cultural Forms: The Case of Tourist Art -- Aesthetics and the Referentiality of Symbols and Signs -- Looking at Animals Looking: Art, Illusion, and Power -- Aesthetic and Illusion of Daily Life -- Fiction: On the Fate of a Concept Between Philosophy and Literary Theory -- Aesthetic Illusion in the Eighteenth Century -- The Grotesque: Illusion vs. Delusion -- Illusion and Imagination: Derridäs Parergon and Coleridge-s Aid to Reflection. Revisionary readings of Kantian formalist aesthetics -- -Fantastic- Images: From Unenlightening to Enlightening -Appearances- Meant to Be Seen in the Dark -- Illusion and Literary Genre -- Representation in Words and in Drama: The Illusion of the Natural Sign -- Making and Breaking Dramatic Illusion -- Comic Illusion and Illusion in Comedy: The Discourse of Emotional Freedom -- Appearance in Poetry: Lyric Illusion? -- Epistolary Fiction and Its Impact on Readers: Reality and Illusion -- Illusion and Narrative Technique: The Nineteenth-Century Historical Novel Between Truth and Fiction -- Illusion and Breaking Illusion in Twentieth-Century Fiction -- Historical Changes in the Literary Uses of Illusions -- -And Mock Our Eyes with Air-: Air and Stage Illusion in Shakespearean Drama -- Double Plotting in Shakespeare-s Comedies: The Case of Twelfth Night -- Illusion and Spiritual Perception in Donne-s Poetry -- Imagination and Illusion in English Romanticism -- -The Picture of the Mind-: Eidetic Images and Pictorial Projection in Wordsworth -- `Verfremdung- and Illusion in Brecht-s Drama -- Sam Shepard, Anti-Illusion, and Metadrama: Plays on Writing, Acting, and Character -- Bibliography -- Notes on Contributors -- List of Illustrations -- Index -- 479-482