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This is a pioneering work on the study of popular music in 19th-Century Spanish piano music, providing an exploration of specific folk-inspired works with an inquiry into the historical cross-pollination between popular and classical musical idioms. It will prove invaluable to pianists, scholars, performers and students in general.
Ana Benavides is currently a distinguished professor at the Real Conservatorio Superior de Música de Madrid and associated professor at the Universidad Carlos III de Madrid. Walter A. Clark is distinguished professor of musicology at the University of California, Riverside. He has written biographies of Isaac Albéniz, Enrique Granados, Federico Moreno Torroba (with William C. Krause), and Joaquín Rodrigo (with Javier Suárez-Pajares), as well as a research and information guide on Rodrigo for Routledge.
Foreword by Walter Aaron Clark Chapter 1: Defining Spain: Its Music and Identity Chapter 2: National Culture As Identity Chapter 3: Domenico Scarlatti Chapter 4: New Pathways Chapter 5: Characteristics of the Spanish Piano Repertoire Chapter 6: Songs Chapter 7: Dances Chapter 8: Wings of the Harp, Tail of the Piano, and Soul of the Guitar: The Versatility of Pitch on the Piano Conclusion Bibliography
