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This book offers a timely examination of the relationship between Shakespeare and contemporary digital media. By focusing upon a variety of -Shakespearean- individuals, groups and communities and their -online- presence, the book explores the role of popular internet culture in the ongoing adaptation of Shakespeare-s plays and his general cultural standing. The description of certain performers as -Shakespearean- is a ubiquitous but often throwaway assessment. However, a study of -Shakespearean- actors within a broader cultural context reveals much, not only about the mutable face of British culture (popular and -highbrow-) but also about national identity and commerce. These performers share an online space with the other major focus of the book: the fans and digital content creators whose engagement with the Shakespearean marks them out as more than just audiences and consumers; they become producers and critics. Ultimately, Digital Shakespeareans moves beyond the theatrical history focus of related works to consider the role of digital culture and technology in shaping Shakespeare-s contemporary adaptive legacy and the means by which we engage with it.
Anna Blackwell is a lecturer in the Centre for Adaptations at De Montfort University, UK.
1. Introduction.- 2. Pre-digital Shakespearean celebrity.- 3. Performing the Shakespearean body: Tom Hiddleston Onstage and Online.- 4. Professional and 'amateur' Shakespeareanism onstage and online.- 5. Richard III, the digital Shakespearean.- 6. Conclusion.
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