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Examines Pinter's often overlooked work in alternative media, from poetry to speeches Draws extensively on little-accessed archival material to bring further insights into Pinter's creative process Views Pinter's political output through the lens of affect
Basil Chiasson is Research Fellow at the University of Leeds. He is a member of the AHRC-funded 'Harold Pinter: Histories and Legacies' research team. Previous publications include contributions to Modern Drama, The Theatre of Harold Pinter and Harold Pinter's The Dumb Waiter.
1. Introduction: On the Meaning of Late, Affect, and Aestheticizing Politics.- 2. The "Early" Years: A "More Precisely Political" Drama.- 3. Pinter's Political Dramas in the 1990s and After: Dialogue Is the Thing.- 4. The Political Verse: A Poetics of Force.- 5. A "Citizen of the World": Aestheticizing Politics.- 6. The Nobel Lecture: Artist and Citizen Converge.-
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