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A Pulitzer Prize Winner and landmark book from one of the truly original scholars of our time: a magnificent revelation of turn-of-the-century Vienna where out of a crisis of political and social disintegration so much of modern art and thought was born. "Not only is it a splendid exploration of several aspects of early modernism in their political context; it is an indicator of how the discipline of intellectual history is currently practiced by its most able and ambitious craftsmen. It is also a moving vindication of historical study itself, in the face of modernism's defiant suggestion that history is obsolete." -- David A. Hollinger, History Book Club Review "Each of [the seven separate studies] can be read separately....Yet they are so artfully designed and integrated that one who reads them in order is impressed by the book's wholeness and the momentum of its argument." -- Gordon A. Craig, The New Republic "A profound work...on one of the most important chapters of modern intellectual history" -- H.R. Trevor-Roper, front page, The New York Times Book Review "Invaluable to the social and political historian...as well as to those more concerned with the arts" -- John Willett, The New York Review of Books "A work of original synthesis and scholarship. Engrossing." -- Newsweek
Carl E. Schorske was born in the Bronx and graduated from Columbia Colege and earned a master’s degree from Harvard before serving in the Office of Strategic Services, a precursor to the Central Intelligence Agency, during World War II. He returned to Harvard for his Ph.D. He was a Dayton-Stockton Professor of History and has served as Director of European Cultural Studies at Princeton University. He was a recipient of a MacArthur Fellowship, a member of the American Academy of Arts and Sciences, and his book, Fin-de-Siècle Vienna won the Pulitzer Prize for Nonfiction. He died in 2015 at the age of 100.
Acknowledgments Introduction I. Politics and the Psyche: Schnitzler and Hofmannstahl II. The Ringstrasse, Its Critics, and the Birth of Urban Modernism III. Politics in a New Key: An Austrian Trio IV. Politics and Patricide in Freud’s Interpretation of Dreams V. Gustav Klimt: Painting and the Crisis of the Liberal Ego VI. The Transformation of the Garden VII. Explosions in the Garden: Kokoschka and Schoenberg Index
