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This innovative study introduces the rhythms, melodies, language, and organization of traditional Chinese poetry and vocal arts. Using insights from cognitive neuroscience, digital humanities, musicology, and linguistics, Casey Schoenberger offers new perspectives on a wide range of issues in the field.
Casey Schoenberger completed a PhD in Chinese literature at Yale University in 2013. His research focuses on cognitive, comparative, digital, musicological, and linguistic approaches to East Asian literature and performing arts. He served for five years as Assistant Professor of Chinese Culture at the Hong Kong Polytechnic University, where he taught beginning and advanced courses for undergraduate and graduate students in English and in Mandarin. He is currently a lecturer in Rice University's Department of Transnational Asian Studies, where he teaches courses on East Asian literature and performing arts in a global context.
Acknowledgments
List of Illustrations
Chinese Dynastic Periods
Note on Conventions
Introduction: Creative Cycles of the Extended Mind
1: The Death of Rhythm
2: The Birth of Melody
3: Languages without Native Speakers
4: Music without Composers
Coda: Lively Rhythms of Equal Lines, Ever-Present Past
Glossary and Abbreviations
Works Cited
Index
