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Art Nouveau presents a new overview of the international Art Nouveau movement. Art Nouveau represented the search for a new style for a new age, a sense that the conditions of modernity called for fundamentally new means of expression. Art Nouveau emerged in a world transformed by industrialisation, urbanisation and increasingly rapid means of transnational exchange, bringing about new ways of living, working and creating. This book is structured around key themes for understanding the contexts behind Art Nouveau, including new materials and technologies, colonialism and imperialism, the rise of the 'modern woman', the rise of the professional designer and the role of the patron-collector. It also explores the new ideas that inspired Art Nouveau: nature and the natural sciences, world arts and world religions, psychology and new visions for the modern self. Ashby explores the movement through 41 case studies of artists and designers, buildings, interiors, paintings, graphic arts, glass, ceramics and jewellery, drawn from a wide range of countries.
Charlotte Ashby is an art and design historian and Associate Lecturer at Birkbeck, University of London, UK. She is the author of Modernism in Scandinavia (Bloomsbury, 2017) and co-editor of Imagined Cosmopolis: Internationalism and Cultural Exchange, 1870s-1920s (2019).
List of Figures Acknowledgements Introduction Part One 1. The 19th-century Roots of Art Nouveau 2. A New Style for a New Age 3. Sites of Art Nouveau: New Forms of Exhibition 4. Designers and Manufacturers: How Art Nouveau was Made and Sold 5. Art Nouveau on Paper: Print and Graphic Art 6. Art Nouveau Patrons and Networks Conclusion: Art Nouveau in Vienna Part Two 7. The Power of Nature 8. The Global Reach of Colonialism 9. Visions of Other Worlds and Hopes for the Future 10. Psychology, Sex and the Modern Self 11. Dream Spaces: The Art Nouveau Interior 12. New Art for a Changing World Conclusion Bibliography Index
