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This edited volume explores the richness and diversity of Christian musical traditions in the Americas. The essays present a cross-section of current scholarship on Christian sacred music and the approaches to studying them in context.
Andrew Shenton is professor of music at Boston University. His research areas include music and transcendence, humor and religion, performance practice, and theology and the arts. Joanna Smolko is an instructor at the University of Georgia. Her research areas include American popular music from the nineteenth and twentieth centuries, American sacred music, American folk music, and film music.
Introduction: Exploring Christian Sacred Music in the Americas Andrew Shenton and Joanna Smolko I. Liturgical Music 1. Liberation Theology: Affirmation and Homage in Three Brazilian Popular Masses Cathy Ann Elias 2. The Guatemalan Choirbooks: Facilitating Preservation, Performance, and Study of the Colonial Repertoire Martha Thomae II. Hymnology 3. Sweet Harmonies of Praise: Reviving Shape Note Singing in Rural Arkansas Andrew Granade 4. Hymns of Joyful Praise: Sacred Harp Singing in Athens, Georgia Joanna Smolko 5. The Hymn Tunes of Thomas Hastings David W. Music III. Contemporary Worship 6. 'Evangélico e Brasileiro': Brazil's Alternative Christian Music Scene Marcell Silva Steuernagel 7. Ethics, Justice, and Politics in Contemporary Worship Music Jeff R. Warren IV. Paraliturgical Music 8. 'Resignation' and Virgil Thomson's Hymns from the Old South Zen Kuriyama 9. "Rock of Ages: Images of Jesus in Popular Music." Delvyn Case V. Diasporic Musi