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Afro-Colombian Hip-Hop: Globalization, Transnational Music, and Ethnic Identities, by Christopher Dennis, reveals how, through a mode of transculturation, Afro-Colombian youth are transforming U.S. hip-hop into a more autonomous art form used for articulating oppositional social and political critiques, reworking ethnic identities, and actively taking part in the reimagining of the nation. This book represents a valuable addition to the body of academic work emerging from scholars bringing Afro-Colombian issues to the forefront of Colombian and Latin American studies, specifically by documenting the contributions that today’s young black artists are making to both national culture and local music practices.
Christopher Dennis is a professor of Spanish language and Latin American literature and cultures at the University of North Carolina, Wilmington. In addition to his research on hip-hop, he has also published articles on Afro-Colombian literature, racial iconography relevant to Cartagena's tourist industry, and the discursive representation of black subjects in Colombian colonial literature.
Acknowledgments Chapter 1: Introduction Chapter 2: Hip-HopAfrocolombiano: Origins, Production, and Distribution Practices Chapter 3: Afro-Colombian Hip-Hop: Resistance and Political Protest Chapter 4: The Afro-Colombian Hip-Hop Narrative and Emerging Identity Constructs Chapter 5: The "Afro-Colombianization" of Hip-Hop Chapter 6: A(n) (Afro)Colombian Hip-Hop Nation Chapter 7: Conclusions: The Two Sides of Globalization Notes Selected Discography Bibliography
