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Dancers as Diplomats chronicles the role of dance and dancers in American cultural diplomacy. In the early decades of the Cold War and the twenty-first century, American dancers toured the globe on tours sponsored by the US State Department. Dancers as Diplomats tells the story of how these tours shaped and some times re-imagined ideas of the United States in unexpected, often sensational circumstances-pirouetting in Moscow as the Cuban Missile Crisis unfolded and dancing in Burma shortly before the country held its first democratic elections.
Clare Croft is Assistant Professor in the Department of Dance at the University of Michigan.
Introduction
Chapter One: Ballet Nations: The New York City Ballet on Tour in the Soviet Union in 1962
Chapter Two: Refusing Modernist Formulas of Second-Class Citizenship: Arthur Mitchell and the Alvin Ailey American Dance Theater
Chapter Three: Too Sexy for Export or Just Sexy Enough: Martha Graham Dance Company
Chapter Four: Negotiating Community and Diaspora: Twenty-First Century Dance Diplomacy
Chapter Five: Never A Solo
Appendix A: List of Interviews
Appendix B: List of US State Department Tours
References
Index
