D. H. Lawrence in Italy and England

The critical essays in this volume, by leading authorities on D. H. Lawrence, focus on the importance of Italy and England in Lawrence's work and life. They span the years of his creative maturity from 1915 - which witnessed the important visit to Cambridge, the revisions to Twilight in Italy and the banning of The Rainbow - to 1926, the year in which he began research for the pieces that became Etruscan Places .

JAMES T. BOULTON Emeritus Professor at the University of Birmingham MICHAEL BELL Professor of English and Comparative Literary Studies, University of Warwick FIONA BECKET Lecturer in Literature, Staffordshire University DAVID ELLIS Professor of English Literature at the University of Kent MARK KINKEAD-WEEKES Emeritus Professor at the University of Kent at Canterbury GRAHAM MARTIN Formerly Professor of Literature at the Open University HOWARD MILLS Formerly Senior Lecturer in English Literature, University of Kent at Canterbury BETSY SERGEANT Professor of English, Western Oregon State College STUART SILLARS Part-time Tutor for the University of Cambridge Board of Continuing Education JOHN WORTHEN Professor of D. H. Lawrence Studies, University of Nottingham.

Editors' Preface Note on the Text and Acknowledgements List of Contributors Lawrence and Cambridge; J. Boulton Cambridge and Italy: Lawrence, Wittgenstein and Forms of Life; M. Bell Strangeness in D. H. Lawrence; F. Becket Unestablished Balance in Women in Love ; G. Donaldson Lawrence, Florence and Theft: Petites Mis-s of Biographical Enquiry; D. Ellis Play and Carnival in Sea and Sardinia ; M. Kalnins Rage against the Murrys. 'Inexplicable' or 'Psychopathic'?; M. Kinkead-Weekes Lawrence and Modernism; G. Martin Trusting Lawrence the Artist in Italy: Etruscan Places - and Schubert; H. Mills The Lost Girl : Re-appraising the Post-war Lawrence on Women's Will and Ways of Knowing; B. Serjeant 'Terrible and Dreadful': Lawrence, Gertler and the Visual Imagination; S. Sillars Recovering The Lost Girl; J. Worthen