Daniel Palmer is Associate Dean of Graduate Research and Associate Professor in the Art History and Theory Program at Monash University, Australia. He was formerly a Curator at the Centre for Contemporary Photography in Melbourne, Australia.

Inhaltsverzeichnis

Introduction1. Ideologies of Photographic Authorship2. Impersonal Evidence: Photography as Readymade3. Collaborative Documents: Photography in the Name of Community4. Relational Portraiture: Photography as Social Encounter5. Aggregated Authorship: Found Photography and Social NetworksConclusionBibliographyIndex

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Daniel Palmer

Photography and Collaboration

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