Churchill

An entirely new perspective on Churchill and his paintings told in his own words and including material never before published, edited and introduced by David Cannadine.
Across almost 50 years, Winston Churchill produced more than 500 paintings. His subjects included his family homes at Blenheim and Chartwell, evocative coastal scenes on the French Riviera, and many sun-drenched depictions of Marrakesh in Morocco, as well as still life pictures and an extraordinarily revealing self-portrait, painted during a particularly troubled time in his life. In war and peace, Churchill came to enjoy painting as his primary means of relaxation from the strain of public affairs.
In his introduction to Churchill: The Statesman as Artist, David Cannadine provides the most important account yet of Churchill's life in art, which was not just a private hobby, but also, from 1945 onwards, an essential element of his public fame. The first part of this book brings together for the first time all of Churchill's writings and speeches on art, not only 'Painting as a Pastime', but his addresses to the Royal Academy, his reviews of two of the Academy's summer exhibitions, and an important speech he delivered about art and freedom in 1937.
The second part of the book provides previously uncollected critical accounts of his work by some of Churchill's contemporaries: Augustus John's hitherto unpublished introduction to the Royal Academy exhibition of Churchill's paintings in 1959, and essays and reviews by Churchill's acquaintances Sir John Rothenstein, Professor Thomas Bodkin and the art critic Eric Newton.
The book is lavishly illustrated with reproductions of many of Churchill's paintings, some of them appearing for the first time. Here is Churchill the artist more fully revealed than ever before.

Professor Sir David Cannadine FBA is a historian of modern British history from 1800 to 2000; he is Visiting Professor in History, and General Editor of the Oxford Dictionary of National Biography. He is currently Dodge Professor of History at Princeton University and has previously taught at Cambridge, Columbia, and London, where he was Director of the Institute of Historical Research.

List of Illustrations
Preface
Introduction by David Cannadine

PART ONE: CHURCHILL ON ART
1 'Not a Very Amiable Topic' (1912)
2 'The Naval Greatness of Britain' (1913)
3 'Art in All Its Forms' (1919)
4 'Art and Politics' (1927
5 Political Painters (1932)
6 'The Academy Reveals Britain's Brave Gaiety' (1932)
7 'This Year's Royal Academy is Exhilarating' (1934)
8 'Sea Power' in Art (1937)
9 'We Ought Indeed to Cherish the Arts' (1938)
10 Painting as a Pastime (1948)
11 'Between Tradition and Innovation' (1953)
12 'A New Elevation of the Mind' (1954)
PART TWO: ON CHURCHILL'S ART
1 'Painting a Picture is Like Fighting a Battle' (1950), Eric Newton
2 'Unity, Vitality, Infinity and Repose' (1953), Thomas Bodkin
3 'Gay, Brilliantly Coloured Canvasses' (1954), John Rothenstein
4 'Long May He Thrive!' (1959), Augustus John
5 'A Recognisable Individuality' (1959), Thomas Bodkin
6 'A Great Presiding Presence' (1970), John Rothenstein
Acknowledgements
Index of Names