Roads, Mobility, and Violence in Indigenous Literature and Art from North America

Roads, Mobility, and Violence in Indigenous Literature and Art from North America explores mobility, spatialized violence, and geographies of activism in a diverse archive of literary and visual art by Indigenous authors and artists.

Deena Rymhs (Ph.D. Queen's University, 2004) is an associate professor of English at the University of British Columbia. She is author of From the Iron House: Imprisonment in First Nations Writing (2008) along with numerous published essays on Indigenous literature, Indigenous visual art, and ecocriticism. Her research has been funded by two national SSHRC grants, and she was awarded a Sproul Fellowship at University of California, Berkeley in 2016-17.

Introduction 1. Mobility and its Disenchantments in Marie Clements' The Unnatural and Accidental Women and Burning Vision 2. Idling No More: The Road in Tomson Highway's The Rez Sisters 3. Gridlock: Mobility and Subjection in Marilyn Dumont's Vancouver Poems 4. "the road is its own humiliation": Leanne Simpson's "Road Salt," "Leaks," "ishpadinaa," and "How to Steal a Canoe" 5. "I wanted the highway": Richard Van Camp's "Dogrib Midnight Runners" 6. Kent Monkman's The Big Four as Automobiography 7. Across Borders: Louise Erdrich's Books and Islands in Ojibwe Country Conclusion Notes Bibliography