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How did a distinct and powerful Black British identity emerge? In the 1950s, when many Caribbean migrants came to Britain, there was no such recognised entity as "Black Britain." Yet by the 1980s, the cultural landscape had radically changed, and a remarkable array of creative practices such as theatre, poetry, literature,South Sudan in War and Peace music and the visual arts gave voice to striking new articulations of Black-British identity.
Eddie Chambers is Professor in the Department of Art and Art History at the University of Texas at Austin, USA. He has been writing about African Diaspora and Black British art practices for several decades and his scholarship includes Black Artists in British Art (I. B. Tauris, 2014) and Roots & Culture: Cultural Politics in the Making of Black Britain (I. B. Tauris, 2016).
Foreword
Introduction
Chapter One - De street weh dem seh pave wid gold
Chapter Two - The Black 70s
Chapter Three - Rasta This and Dreadlocks That
Chapter Four - Leggo de Pen
Chapter Five - Africa: The Call of the Continent
Chapter Six - Fyah!
Chapter Seven - Picture on the Wall
Chapter Eight - Failing the Cricket Test
Chapter Nine - Conclusion - (Dawning of a) New Era
