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The Masterpiece is a highly fictionalized account of Zola's friendship with the painter Paul Cézanne. Zola and Cézanne grew up together in Aix-en-Provence, the model for Zola's Plassans, where Claude Lantier is born and receives his education. Like Cézanne, Claude Lantier is a revolutionary artist whose work is misunderstood by an art-going public hidebound by traditional subjects, techniques, and representations. Zola's self-portrait can be seen in the character of the novelist Pierre Sandoz.
Émile Édouard Charles Antoine Zola (1840 - 1902) was a French novelist, playwright, journalist, the best-known practitioner of the literary school of naturalism and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in the renowned newspaper headline J'accuse. Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902.