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Perfect for conductors and performers alike, this book traces the history of African American English (AAE), its use in African-American Spirituals, and the sociolinguistic impact of the dialect in the United States. The author also synthesizes research on the topic from the past century with application guidelines for teachers and performers.
Felicia Raphael Marie Barber is director of choral activities at Westfield State University.
Contents Preface: An Introduction in Purpose Acknowledgments Foreword by Dr. Andre Thomas Definitions List of Figures List of Tables Chapter 1 Sociolinguistics: It is a Matter of Perception Chapter 2 Acquisition of Languages Established as a Result of the African Diaspora Chapter 3 Establishing Performance Practice Part I: Researchers Chapter 4 Establishing Performance Practice Part II: Dialect Employed in the Text Chapter 5 Establishing Performance Practice Part III: Aural History - Transcriptions of Early Sound Recordings Chapter 6 Trace History of Dialect in Four Specific Scores Chapter 7 Research Findings Regarding Use of AAE Dialect in Spirituals: A Practical Application Chapter 8 Moving Forward: Insight from Modern Arrangers and Next Steps Bibliography Appendices About the Author About the Contributors