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A predecessor to such monumental works as "Crime and Punishment" and "The Brothers Karamazov", "Notes from Underground" represents a turning point in Dostoyevsky’s writing towards the more political side. In this work we find a story in two parts, the first a rambling memoir of a bitter, isolated, retired civil servant living in St. Petersburg, Russia. In the second part we follow the unnamed narrator through a series of events which further exhibit the consciousness of a man who is disillusioned by the oppression and corruption of the society in which he lives. A philosophically dark and politically charged novel, "Notes from Underground" shows Dostoyevsky using the narrative form as a device for criticizing the prevailing ideologies of his time, mainly nihilism and rational egoism. In "The Double" we see an intense psychological study of its main character, Yakov Petrovich Golyadkin, a government clerk who becomes increasingly obsessed with the idea that a man who bears a striking resemblance to him is trying to take over his identity. "Notes from Underground" and "The Double" are two of Dostoyevsky’s more popular shorter works, which exhibit the author’s uncanny ability to portray the darker side of the human psyche. This edition is printed on premium acid-free paper and follows the translations of Constance Garnett.
Fyodor Mikhailovich Dostoevsky was born in Moscow in 1821. His debut, the epistolary novella Poor Folk (1846), made his name. In 1849 he was arrested for involvement with the politically subversive 'Petrashevsky circle' and until 1854 he lived in a convict prison in Omsk, Siberia. From this experience came The House of the Dead (1860-2). In 1860 he began the journal Vremya (Time). Already married, he fell in love with one of his contributors, Appollinaria Suslova, eighteen years his junior, and developed a ruinous passion for roulette. After the death of his first wife, Maria, in 1864, Dostoevsky completed Notes from Underground and began work towards Crime and Punishment (1866). The major novels of his late period are The Idiot (1868), Demons (1871-2) and The Brothers Karamazov (1879-80). He died in 1881.
