Gabriel F. Y. Tsang

Chinese Educated Youth Literature

Ambivalent Bodies and Personal Literary Histories. Sprachen: Englisch. 23,4 cm / 15,6 cm ( B/H )
Buch (Softcover), 164 Seiten
EAN 9781032827780
Veröffentlicht Mai 2026
Verlag/Hersteller Taylor & Francis Ltd
57,50 inkl. MwSt.
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Beschreibung

This book explores the literary history of the zhiqing, Chinese educated youth, during the liberal 1980s era of the PRC. By incorporating personal experiences, literary representation, shared history, and theory, it argues that attention to bodies' physical/physiological condition, as represented in their fictional works, can reveal their attitudes toward the shifting and anomalous socio-political environments, both at the time of their rustication in Mao Zedong's era and at the time of writing about their experiences in Deng Xiaoping's cities. It highlights the ideological transformation of educated youth writers' malleable fictional bodies, which preserved and encoded their private ambivalence and dynamic compromises with political and literary dilemmas. By studying these "fictional bodies," this book deciphers the specific significance of labor, hunger, disability, and sexuality, negating the simplification of the fabricated embodiment as only containing and delivering iconoclastic spirit, sincere patriotism, personal struggle, socialist ideological control, and feminine self-consciousness. Exploring the community of Chinese educated youth, of which Xi Jinping was one, this will be a valuable resource to students and scholars of Comparative literature, Modern Chinese literature, and Modern Chinese history.

Portrait

Gabriel F. Y. Tsang is Assistant Professor in the Department of Chinese Language and Literature at Hong Kong Baptist University.

Inhaltsverzeichnis

Introduction. Questioning the fictional remembrance of bodies past 1. Representing Laboring Bodies from Victims to Heroes 2. Hungry Fictional Bodies as Personal and Cultural Allegories 3. Privatization and Socialization of Impaired/Disabled Bodies 4. Socialism and the Experiment of Writing Female Bodies Conclusion. Back to our own bodies

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