Gothic Print Culture, 1789-1900

The first volume of Gothic Print Culture, 1789-1900 reprints excerpts from rare Gothic novels to chart the relationship between Gothic aesthetics and the shifting economic, technological and legal affordances of print in the long nineteenth century. Highlighting the anonymous and pseudonymous authors, commercial presses and circulating libraries-such as the Minerva Press-that shaped the early Gothic more than any one author, the first half of the volume makes possible a revaluation of the collective voice of early Gothic fiction. The second half considers the increasingly sophisticated mediation and dissemination of Gothic novels. Victorian Gothics, such as James Malcom Rymer's penny blood The Apparition and William Harrison Ainsworth's Windsor Castle, were published both serially and in volume form. The movement between serial publication and volume formats provides a new context for study of the Gothic novel's reliance on inset tales and cliffhangers, which can be understood as an effect of their publication within magazines and newspapers. Finally, the transatlantic publication circuits of May Agnes Gordon's Midnight Queen and Julien Gordon's Vampires shed new light on the Gothic and the development of international copyright law.

Jennifer Camden is the Beverley J. Pitts Distinguished Professor of the Ron and Laura Strain Honors College and Associate Chair and Professor of English at University of Indianapolis. She is the author of Secondary Heroines in the Nineteenth-Century British and American Novel (Routledge, 2010) and, with Kate Faber Oestreich, Transmedia Storytelling: Pemberley Digital's Adaptations of Jane Austen and Mary Shelley (Cambridge Scholars, 2018), as well as articles on women writers and gothic fiction. JoEllen DeLucia is Professor of English at Central Michigan University. She is the author of A Feminine Enlightenment: British Women Writers and the Philosophy of Progress, 1759-1820 (EUP, 2015). She has also published several articles on women writers, Enlightenment moral philosophy, and Gothic fiction, as well as an edited collection with Juliet Shields on the literature and history of migration.

Volume I. Novels Acknowledgements List of Figures General Introduction Volume I Introduction 1. Anon., Phantoms of the Cloister; or The Mysterious Manuscript. A Novel (London, William Lane at the Minerva Press, 1795). 3 vols. 2. F. C. Patrick, The Jesuit, or the history of Antony Babington, Esq: a historical novel (London and Bath: R. Cruttwell, 1799). 3 vols. 3. Eliza Ratcliffe, The Mysterious Baron or the Castle in the Forest: A Gothic Story (London: J. B. G. Vogel, 1808). 1 vol. 4. Jacques Cazotte, Anon. Trans. Biondetta, or the Enamoured Spirit: A Romance. Translated from Le Diable Amoureux of M. Cazotte (London: John Miller, 1810). 1 vol. 5. J. Hutton, The Castle of Altenheim, or the Mysterious Monk: A Tale. (Philadelphia: A. I. Dickinson, 1836). 1 vol. 6. J. W. Loudon, The Mummy! A Tale of the Twenty-Second Century (London: Henry Colburn, 1828). 3 vols. 7. W. H. Ainsworth, Windsor Castle: A Historical Romance (London: Henry Colburn, 1843). 1 vol. 8. J. M. Rymer, The Apparition: a Romance. (London: Edward Lloyd, 1846). 1 vol. 9. R. F. Burton, Vikram and the Vampire (London: Longman 1870). 1 vol. 10. M. A. Fleming, The Midnight Queen. A Novel (New York: G.W. Dillingham, 1888). 1 vol. 11. J. Gordon, (pseud.), Vampires (London: Ward, Lock & Bowden, Ltd. 1893). 1 vol. 12. C. L. Daniels, Sardia: a Tale of Love (Boston: Lee & Shepard, 1891). 1 vol. Bibliography Index