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At risk of life and reputation, the reform journalist W. T. Stead (1849-1912) exposed child vice and white slavery in London and established age 16 for statutory rape. Concluding the 1914 Portrait, Joyce saluted the "Old father, old artificer, stand me now and ever in good stead" and set the path of future works. The exemplary life and devotions of Stead provided James Joyce with a model, a theme, and a purpose. Joyce integrated Steadfacts with his own personal emerging autobiography and interpretation of the ongoing Irish national, international, and even cosmic events. In this book Eckley uses new sources to unravel forgotten languages, motifs, and metaphors and recognizes "obscurity" as a "chrysalis factor" in Joyce's Finnegans Wake to illuminate Stead's influence on Joyce. This book of Finnegans Wake criticism will open paths for exciting new efforts in studying Joyce.
Grace Eckley in the 1980s retired from teaching to devote full time to research writing. After more than twenty years in beloved Colorado, she returned to family in Des Moines, Iowa, and now profits from their many contributions to research efforts.
List of Figures
List of Abbreviations
Acknowledgements
Chapter One: The Stead Source and the Critical Dilemma
Chapter Two: The Predication of the Portrait's "Good Man Stead"
Chapter Three: The Strategy of the Encrypted Name
Chapter Four: The Thunder of Stead's Scandalous Maiden Tribute
Chapter Five: The Park Maid and the Sinister Sir
Chapter Six: Who Was the Hen and Whose the Letters
Chapter Seven: Light and Science in the "Dark Night of the Soul"
Chapter Eight: Maamtrasna Retrial Defends the Joyce Family Name
Chapter Nine: The Brunonian "Hiresiarch" and the Russian general (Sic)
Chapter Ten: Timing and Terrain of the Snake and the Whale
Chapter Eleven: The Encrypted Hero of Finnegans Wake
References
