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La Pocha Nostra marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues and trans-disciplinary border crossers of all stripes.
Guillermo Gómez-Peña is a performance artist, writer, activist, and educator. He is the author of 12 books including Ethno Techno (2005) and Dangerous Border Crossers (2000). His classic performance pieces include Border Brujo (1988), The Cruci-Fiction Project (1994), and Mexterminator (1997-1999). He is founder and co-director of La Pocha Nostra. Saúl García-López, PhD, is a performance artist, performance director, pedagogue, scholar, and co-artistic director of La Pocha Nostra. His work focuses on performance pedagogy, indigeneity, gender, decolonial theory, and border theory. His performance practice focuses on social shamanic exorcisms, conceptual cannibalism, and psychomagic actions as a passage for decolonization.
Chapter 1 "Pochology" in a Post-Democratic Society; Chapter 2 Soundscapes for Dark Times: A Border Pedagogy for Resistance; Chapter 3 The 2019 Pocha Nostra Manifesto for a "Post-Democratic Era"; Chapter 4 What to Expect from a Pocha Workshop; Chapter 5 Important Notes to Producers and Workshop Facilitators; Chapter 6 Notes to Workshop Participants; Chapter 7 Radical Pedagogy for a Post-Democratic Society; Chapter 8 Performance Exercises, Rituals, and Games to Cross Borders; Chapter 9 With Love from the Trenches: Further Techniques and Reflections from Pocha and our Partners in Crime; Chapter 10 Sound Outs for Radical Inclusion: Poetry and Testimony unleashed by the Pocha Method
