The Hill

'One of the most beautiful books I have ever read' Tara Westover, author of Educated 'The future of American literature is in exceptional, inspired hands' Michael Cunningham, author of Day 'A debut reminiscent of Marilynne Robinson's Housekeeping' Jeffrey Eugenides, author of The Virgin Suicides 'I don't know how Clark wrote The Hill, but I'm glad she did. I'll be re-reading it for the rest of my life' Kaveh Akbar, author of Martyr! 'Lady Bird meets [Sebald's] The Emigrants. I loved it' Brandon Taylor, author of Minor Black Figures Suzanna Klein was a baby when her mother got up early one morning to rob a bank with a group of fellow radicals. Now, every Saturday, Suzanna lines up at the prison gates among the other children, each dressed as if for celebration. Inside there is a nursery and a cemetery; there are watchful guards and distractable nuns; there are women counting down to release and women like Suzanna's mother, who will never be released. At home, Suzanna is raised by her grandmother, who is entirely unforgiving of her daughter's crime and refuses to visit the prison. Surrounding Suzanna are her grandmother's friends, who know one another from their years in the Communist Party and still spend extended cocktail hours debating the Hitler-Stalin pact. Though these women once insisted on changing the world, they are torn between teaching Suzanna how the world works and shielding her from it. Suzanna vows to return to the prison forever but her mother wants her to be free. Harriet Clark's The Hill is an incandescent novel of a child growing up between worlds, the last of three generations whose fates have been tied to punishment. It is the tale of a family broken apart by the desire for change, told with irreverent wisdom and visionary force.

Harriet Clark is the winner of the Paris Review's Plimpton Prize for her short story 'Descent', and has received fellowships from the Iowa Writers' Workshop and the Wallace Stegner Program. The Hill is her debut novel.