"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine, and reprinted with minor textual alterations in his The Piazza Tales in 1856. A Wall Street lawyer hires a new clerk who, after an initial bout of hard work, refuses to make copy and any other task required of him, with the words "I would prefer not to". Numerous essays have been published on what, according to scholar Robert Milder, "is unquestionably the masterpiece of the short fiction" in the Melville canon. Melville's major source for the story was an advertisement for a new book, The Lawyer's Story, printed in both the Tribune and the Times for 18 February 1853. The book was published anonymously later that year but in fact was written by popular novelist James A. Maitland. This advertisement included the complete first chapter, which had the following opening sentence: "In the summer of 1843, having an extraordinary quantity of deeds to copy, I engaged, temporarily, an extra copying clerk, who interested me considerably, in consequence of his modest, quiet, gentlemanly demeanor, and his intense application to his duties". Melville biographer Hershel Parker points out that nothing else in the chapter besides this "remarkably evocative sentence" was "notable".[3] Critic Andrew Knighton notes the debt of the story to an obscure work from 1846, Robert Grant White's Law and Laziness: or, Students at Law of Leisure. This source contains one scene and many characters — including an idle scrivener — that appear to have influenced Melville's narrative.[4] Melville may have written the story as an emotional response to the bad reviews garnered by Pierre, his preceding novel. Christopher Sten suggests that Melville found inspiration in Ralph Waldo Emerson's essays, particularly "The Transcendentalist" which shows parallels to "Bartleby". Bartleby is a scrivener—a kind of clerk or a copyist—"who obstinately refuses to go on doing the sort of writing demanded of him". During the spring of 1851, Melville felt similarly about his work on Moby Dick. Thus, Bartleby may represent Melville's frustration with his own situation as a writer, and the story itself is "about a writer who forsakes conventional modes because of an irresistible preoccupation with the most baffling philosophical questions".[7] Bartleby may also be seen to represent Melville's relation to his commercial, democratic society.[8 Melville made an allusion to the John C. Colt case in this short story. The narrator restrains his anger toward Bartleby, his unrelentingly difficult employee, by reflecting upon "the tragedy of the unfortunate Adams and the still more unfortunate Colt and how poor Colt, being dreadfully incensed by Adams [...] was unawares hurled into his fatal act".

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Herman Melville (born Melvill;[a] August 1, 1819 - September 28, 1891) was an American novelist, short story writer and poet of the American Renaissance period. Among his best-known works are Moby-Dick (1851), Typee (1846), a romanticized account of his experiences in Polynesia, and Billy Budd, Sailor, a posthumously published novella. Although his works were not widely appreciated at the time of his death, the centennial of his birth in 1919 was the starting point of a Melville revival in which critics re-evaluated his work and his novels became recognized as world classics. Melville was born in New York City, the third child of a prosperous merchant. His formal education ended abruptly after the death of his father in 1832 left the family in financial straits. He took to sea in 1839 as a common sailor on a merchant ship and then on the whaler Acushnet but jumped ship in the Marquesas Islands. Typee, his first book and its sequel, Omoo (1847) were travel-adventures based on his experiences there. Their success gave him the financial security to marry Elizabeth "Lizzie" Shaw, a daughter of a prominent Boston family. His first book not based on his own experience, Mardi (1849), was not well received. His novels Redburn (1849) and White Jacket (1850) were given better reviews but did not provide financial security. Moby-Dick (1851), although now considered one of the great American novels, was not well received by contemporary critics. His psychological novel, Pierre: or, The Ambiguities (1852) was also scorned by reviewers. From 1853 to 1856, Melville published short fiction in magazines, which was collected in 1856 as The Piazza Tales. In 1857, he traveled to England and then toured the Near East, and that same year published his last work of prose, The Confidence-Man (1857). He moved to New York in 1863 to take a position as Customs Inspector. From that point, he focused his creative powers on poetry. Battle-Pieces and Aspects of the War (1866) was his poetic reflection on the moral questions of the American Civil War. In an emotionally jarring incident, in 1867, his eldest child Malcolm died at home from a self-inflicted gunshot. Melville's metaphysical epic Clarel: A Poem and Pilgrimage in the Holy Land was published in 1876. In 1886, his other son Stanwix died of apparent tuberculosis, and Melville retired. During his last years, he privately published two volumes of poetry, left one volume unpublished, and returned to prose of the sea. The novella Billy Budd was left unfinished at his death but was published posthumously in 1924. Melville died from cardiovascular disease in 1891.