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The eloquent story of Eileen Harris Norton's collection and its pivotal role in championing the work of women artists, artists of color, and changing narratives of contemporary art. Since she acquired her very first artwork from Los Angeles printmaker Ruth Waddy in 1976, Eileen Harris Norton's collection has bloomed into a beautiful reflection of her interest in the practices of women and artists of color, and work made in California. Alongside the eponymous exhibition at Hauser & Wirth Los Angeles, Destiny Is a Rose celebrates fifty years of Harris Norton's remarkable collection, taking its title from a painting in the collection by Kerry James Marshall and featuring numerous iconic works of contemporary art by Mark Bradford, Felix Gonzalez-Torres, David Hammons, Glenn Ligon, Yoshimoto Nara, Adrian Piper, Betye Saar, Lorna Simpson, Carrie Mae Weems, and more. Texts by art historian Kellie Jones and curator Ingrid Schaffner delve into the critical role that education and philanthropy, representation and identity, and personal relationships with artists and curators have played in shaping Harris Norton's visionary collecting practice. Offering deep insight into the act and impact of collecting, Destiny Is a Rose is a tribute to Harris Norton's ongoing role as a vital agent of change and growth within the contemporary art world.
Kellie Jones is Hans Hofmann Professor of Modern Art in the Department of Art History & Archaeology and Professor of African American & African Diaspora Studies at Columbia University. Her research interests include African American and African Diaspora artists, Latinx and Latin American Artists, and issues in contemporary art and museum theory. Ingrid Schaffner is Curatorial Senior Director at Hauser & Wirth, based in Los Angeles.
