Und dann auf "Zum Home-Bildschirm [+]".
Stöbern
genialokal zum Startbildschirm hinzufügen
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
The inspiration for the film INVICTUS, starring Matt Damon and Morgan Freeman. Beginning in a jail cell and ending in a rugby tournament- the true story of how the most inspiring charm offensive in history brought South Africa together. After being released from prison and winning South Africa's first free election, Nelson Mandela presided over a country still deeply divided by fifty years of apartheid. His plan was ambitious if not far-fetched: use the national rugby team, the Springboks-long an embodiment of white-supremacist rule-to embody and engage a new South Africa as they prepared to host the 1995 World Cup. The string of wins that followed not only defied the odds, but capped Mandela's miraculous effort to bring South Africans together again in a hard-won, enduring bond.
John Carlin is senior international writer for El País, the world'sleading Spanish language newspaper, and was previously the U.S.bureau chief for The Independent on Sunday. His writing has appeared inThe New York Times, The New Republic, Wired, Spin, and Conde NastTraveler.
Playing The EnemyIntroduction Chapter I: Breakfast in Houghton Chapter II: The Minister of Justice Chapter III: Separate Amenities Chapter IV: Bagging the Croc Chapter V: Different Planets Chapter VI: Ayatollah Mandela Chapter VII: The Tiger King Chapter VIII: The Mask Chapter IX: The Bitter-Enders Chapter X: Romancing the General Chapter XI: "Address Their Hearts" Chapter XII: The Captain and the President Chapter XIII: Springbok Serenade Chapter XIV: Silvermine Chapter XV: Doubting Thomases Chapter XVI: The Number Six Jersey Chapter XVII: "Nelson! Nelson!" Chapter XVIII: Blood in the Throat Chapter XIX: Love Thine Enemy Epilogue Where Are They Now? Acknowledgments A Note on Sources Index A section of photographs follows page 114.
