Miss Archer

'Completely addictive - I found myself reaching for it every moment I could and thinking about it when I wasn't reading' Jennie Godfrey, author of The List of Suspicious Things 'A brilliant, exhilarating read: Turn of the Screw meets Rebecca meets Never Let Me Go' Jo Harkin, author of The Pretender You aren't a real person until you have a secret ... Growing up in the Squares, Dre Archer was always told human history was over. Until the day she is plucked from all she knows, and recruited as governess to an enigmatic five-year-old boy. Albie is rash, emotionally obtuse, and possibly a genius. He also believes the year is 1884-two centuries before Dre was born. Everyone working at his family's grand Victorian manor strives to maintain the illusion, keeping the modern world safely outside their doors. Dre is expected to follow along and not ask questions. At first, Dre works hard to embody her role as 'Miss Archer', with comportment lessons and corsets. But somewhere along the way, the performance begins to feel real-as does her bond with this singular boy. Slowly she is overwhelmed by questions: Why the weird adherence to the 19th century, when it's the dawn of the 22nd? Why has she never met Albie's elusive parents? Who are her shadowy employers? And what is her job, really? In her mounting determination to unlock these mysteries, Dre finds herself flouting the draconian rules of the house. As a series of Russian doll-like revelations brings her closer to the truth, Dre must go to dangerous lengths to protect her young charge, who she has, without quite meaning to, come to love as her own. Miss Archer is an audaciously original and propulsive debut that deftly explores our yearning for the analogue world as we tumble into the future, and asks what it truly means to be human.

Jordan Harrison was a Pulitzer Prize finalist for Marjorie Prime, which was recently revived on Broadway at Second Stage Theater. His other plays include The Antiquities, Maple and Vine, and The Amateurs. Harrison is the recipient of numerous awards and fellowships, including a Guggenheim Fellowship and the Horton Foote Prize, awarded to the best new American play. As a screenwriter, his credits include three seasons as writer/producer of the Netflix original series Orange Is the New Black. Harrison is a graduate of Stanford University and the Brown MFA Creative Writing program. He lives in Brooklyn with his husband and his dog.