Avant-Garde Art and Non-Dominant Thought in Postwar Japan

This book offers a reassessment of how "matter" - in the context of art history, criticism and architecture - pursued a radical definition of "multiplicity", against the dominant and hierarchical tendencies underwriting post-fascist Japan.

K. Yoshida is Assistant Professor of Art History and Visual Studies at the Department of Global Arts, Media, and Writing at the University of California, Merced.

1. On Severance 2. Fugitive Matter 3. Anthropofugal Transformations 4. Modular Concrescence 5. Clandestine Resphiliacs 6. Architecture and Ignorance 7. An Infinite Periphery 8. Toward Irrelation