Tango Dance and Music

This book investigates choreomusical aspects of tango argentino in translocal practice, in particular its current manifestation in Europe. It looks at translocal tango argentino in its many facets: movement structures, sound structures, dancers and musicians, and the complex relations between these factors that all have their share in shaping the practice. Beyond being the first extensive monograph about translocal tango music and dance, the book crosses borders in the use of both qualitative and quantitative methods, ranging from participant observation to statistical data evaluation, including optical motion capture for movement analysis. The book contains a brief historical overview of tango argentino practice in the twentieth century, bringing together the development of music and dance in a holistic way to better understand the background of the current interconnectedness. The first main part of the book focuses on the "danceability" aspect of tango music. The exploration is based on tango DJs', tango dance teachers', and tango musicians' view of tango danceability as well as experimental approaches. The second part is dedicated to tango dance and its "musicality". It investigates with quantitative and qualitative methods tango movement repertoire and principles and how these relate to tango musical features. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Creative Commons Attribution-NonCommercial-ShareAlike (CC-BY-NC-SA)] license.

Kendra Stepputat is Associate Professor and currently Head of the Institute for Ethnomusicology, University of Music and Performing Arts Graz (KUG), Austria. She graduated in comparative musicology, Southeast Asian studies, and communication studies at Freie Universität and Humboldt Universität Berlin and concluded her PhD and habilitation at KUG. Her research topics include Balinese performing arts and tango argentino in European perspective. Her research focus is on choreomusical aspects of performing arts.

Introduction Tango Argentino: Dance, Music, and People Musicality and Danceability The Focus on Europe Research Approach and Methods, Leading to the Structure of This Book References 2 A Choreomusical Overview of Tango Argentino Development: 1900-2020 Beginnings in Buenos Aires and Montevideo Dissemination Through Media Connotations of Immorality Reciprocation with Europe: The Way into High Society The Reception of Tango in Argentina Decline Under Economic and Political Pressure The 1980s: Local and International Revival Early Twenty-First Century: Back to the Roots, Reuniting Music and Dance The State of Translocal Tango in the Early 2020s References 3 Tango Music and Its Danceability Tango Musical Features Performance Practice Tango Danceability Tango Music and Its Danceability in a Nutshell References 4 Tango Dance and Its Musicality Basic Movement Repertoire Dance Principles Tango Dance Styles Movement Repertoire Motion Capture Analysis Tango Musicality Tango Dance and Its Musicality in a Nutshell References 5 Tango Music-Dance Relations: Toward a Conclusion Spanish Summary: Baile y Música de Tango: Una Exploración Coreomusical del Tango Argentino en Europa Accompanying Material