On African Music

Written by one of the best-known academic writers on African music, On African Music is a collection of seven essays addressing various techniques, influences, and scholarly approaches to African music. After a concise introduction spelling out the rationale for the book, successive chapters develop answers to questions such as: How does a "minimalist impulse" animate creativity in Africa, and does "Western minimalism" differ from "African minimalism"? How do we explain the prevalence of iconic effects in African expressive forms? How has (European) tonality functioned as a "colonizing force" in African music? Why is the (written) art music of the continent talked about so little when it has been in existence since the middle of the nineteenth century? How might the discipline of music theory be rejuvenated by "aid" from Africa? What are the strengths and limitations of ethnotheory as a methodology? Who is who in theorizations of African rhythm, and how might we explain the shape of the existing archive? This book thus deals with analytical and interpretive issues, the politics of scholarship, and salient features of African music. Laced with provocative viewpoints on each page, On African Music should appeal not only to readers curious about the structural underpinnings of African music but also to those who wish to reflect critically and philosophically on how we study and write about the music of the continent, how we might approach its global status with a firm understanding from the inside, and what our priorities might be in promoting an empowering cosmopolitan discourse.

Kofi Agawu is Distinguished Professor at The Graduate Center, City University of New York, and previously taught at Princeton University, Yale University, Cornell University, and King's College London. His books include Playing with Signs (1991), African Rhythm (1996), Music as Discourse (2008) and The African Imagination in Music (2016). He is the recipient of a Guggenheim Fellowship (1991), the Dent Medal (1992), and the Harrison Medal (2009). He was Music Theorist in Residence for the Dutch-Flemish Music Theory Society in 2008-09 and George Eastman Visiting Professor at Oxford University in 2012-13. A Fellow of the Ghana Academy of Arts and Sciences, he is also Corresponding Fellow of the British Academy and Honorary Member of the Royal Musical Association.

Introduction
1. The minimalist impulse2. Iconicity in musical thought and expression3. Tonality as a colonizing force4. African pianism and the challenge of art music5. Rethinking music theory, with African aid6. Against ethno-theory7. African rhythm studies: A sketch and a critique
EpilogueBibliographyIndex