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In an oak-panelled room in a rural Oxford gastropub, ten young undergraduates with cut-glass vowels and deep pockets are meeting, intent on restoring their right to rule - and on getting totally "chatueaued". Members of The Riot Club, an elite student dining society, the fraternity starts to fray when they discover they're a guinea-fowl short and the prostitute they've hired is suddenly banished. An apparent spoof on Oxford's notorious Bullingdon Club, whose past members include Boris Johnson, George Osborne and David Cameron, Posh is a satirical play about power, politics and privilege, and how these elements interact within British institutions. The play is published here as a Methuen Drama Student Edition with commentary and notes by Henry Bell. Posh premiered at the Royal Court Theatre, London, in 2010 and two years later opened in the West End. It was nominated for Best New Play at both the Evening Standard Awards and for the Theatregoers' Choice Awards. It was subsequently made into a film called The Riot Club (2014), starring Sam Claflin, Max Irons and Douglas Booth.
Laura Wade's plays include The Watsons (Chichester Festival Theatre and Menier Chocolate Factory), Home, I'm Darling (Theatr Clwyd, National Theatre and West End), Posh (Royal Court Theatre and West End), Tipping the Velvet (Lyric Theatre, Hammersmith), Alice (Crucible Theatre, Sheffield), Kreutzer vs. Kreutzer (Globe Theatre, Sydney Opera House and Australian tour), Other Hands (Soho Theatre), Colder Than Here (Soho Theatre and MCC Theatre New York), Breathing Corpses (Royal Court Theatre), Catch (Royal Court Theatre, written with four other playwrights), Young Emma (Finborough Theatre), 16 Winters (Bristol Old Vic Basement) and Limbo (Crucible Studio Theatre, Sheffield). Films include The Riot Club. Awards include the Olivier Award for Best New Comedy, Critics' Circle Award for Most Promising Playwright, the Pearson Best Play Award and the George Devine Award. Laura Wade's plays have been performed in the UK, USA, Australia, Ireland, Sweden, Norway, Germany, the Netherlands and Mexico.
Introduction Chronology Historical, social and cultural contexts Play as Performance Production History and Critical Reception Further Exploration Posh Notes
