Und dann auf "Zum Home-Bildschirm [+]".
Stöbern
genialokal zum Startbildschirm hinzufügen
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Ihr gewünschter Artikel ist in 0 Buchhandlungen vorrätig - wählen Sie hier eine Buchhandlung in Ihrer Nähe aus:
A riotous and raunchy novel about a woman whose search for Romy Haag, one of David Bowie's former lovers, is sidelined when she falls into a deep obsession with a musician, who is often compared to Bowie, in pursuit of stardom “Lean Cat, Savage Cat is the book that’s been missing from my reading habits: classically glamourous, timelessly seductive. Lauren J. Joseph is a wit and an assassin from one sentence to the next” —Torrey Peters, author of Detransition, Baby Alone at a party, sipping her celery sour, Charli knows she’s in a rut. Kicking around with the rest of London’s bohemian dropouts, she has no idea what to do with her arts degree and her research project on Romy Haag—the transsexual disco singer and long-time lover of David Bowie—has all but stalled out. But her life takes a turn when she bumps into the mysterious Alexander Geist. Androgynously, glamorously handsome, he feels something like a soul mate, another love once lost and now found. Naturally, when he leaves for Berlin, Charli follows. There, at the center of the city’s febrile party scene, Charli and Alexander embark on their great project: turn Alexander into the greatest pop star since David Bowie. But Alexander is elusive, mercurial; Charli is in over her head before she realizes just how self-destructive her life has become under his spell. Lean Cat, Savage Cat is Isherwood one-hundred years on, it's Nancy Mitford in the dark room, Bret Easton-Ellis amongst a raft of European low-lives scrabbling for success. It is the story of setting out in search of one thing and finding yourself in possession of something quite different, a book about obsession and excess, doppelgängers and disassociation, fame and fandom, the tyrannical return of unprocessed grief, and the terrible things we do to feel loved.
LAUREN J. JOSEPH is a writer and performer. She is the author of At Certain Points We Touch, which was selected as a book of the year by Stylist, SheerLuxe, and Foyles and was chosen as one of The Observer’s debut novels of the year. Her recent nonfiction has appeared in Granta, Tate Etc, and The Guardian, among other publications.
