Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Tippen Sie einfach auf Teilen:
Und dann auf "Zum Home-Bildschirm [+]".
Bei genialokal.de kaufen Sie online bei Ihrer lokalen, inhabergeführten Buchhandlung!
Ihr gewünschter Artikel ist in 0 Buchhandlungen vorrätig - wählen Sie hier eine Buchhandlung in Ihrer Nähe aus:
'Passionate and rigorous... riveting' Financial Times '[a] cool-headed but powerful polemic...' Sunday Times ' A studs-up assault on streaming economics' The Guardian 'A vital addition to the genre... arrives not a moment too soon' The TelegraphTHIS BOOK WILL CHANGE HOW YOU THINK ABOUT, AND CHOOSE TO LISTEN TO, MUSIC Streaming is reshaping music for artists and listeners alike. Until now, the cultural ramifications of these seismic shifts have been underexplored. Drawing on over one hundred interviews with industry insiders, former Spotify employees, and musicians, Mood Machine takes us to the inner workings of today's highly consolidated record business. Building on her years of wide-ranging reporting on streaming, music journalist Liz Pelly details the consequences of the Spotify model by examining both sides of what the company calls its two-sided marketplace: the listeners who pay with their dollars and data, and the musicians who provide the material powering it all. As music has become increasingly playlisted, personalized, and autoplayed, the stakes for artists and listeners alike have never been higher. Mood Machine is an essential read for any music fan seeking a deeper understanding of how we listen now.
Liz Pelly is a journalist living in New York. Her essays and reporting have appeared in the Baffler, where she is a contributing editor, as well as in the Guardian, NPR, Rolling Stone, Pitchfork, and many other outlets. She frequently speaks about music streaming on radio shows and podcasts, including appearances on The New York Times' Popcast, NPR's Morning Edition, and others. Pelly teaches in the recorded music program at New York University and has spent over a decade involved in all-ages show booking.