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"Presenting a new approach to Euripides' plays, this book explores the playwright's ancient tragedies in relation to quotation culture. Treating extant works and lost works side-by-side, Matthew Wright presents a selective survey of ways in which Euripidean tragedy was quoted within antiquity, both in social contexts (on the comic stage, at symposia, in law courts, in education) and in different literary genres (drama, biography, oratory, philosophy, literary scholarship, history and anthologies). There is also a discussion of the connection between quotability and classic status, where Wright asks what quotations can tell us about ancient reading habits. The implication is that Euripides actively participated in quotation culture by deliberately making certain portions of his plays stand out as especially quotable"--
Matthew Wright is Professor of Greek at the University of Exeter, UK. He has published widely on Greek tragedy and comedy, including The Lost Plays of Greek Tragedy (Volume 2): Aeschylus, Sophocles and Euripides (Bloomsbury, 2018), The Lost Plays of Greek Tragedy (Volume 1): Neglected Authors (Bloomsbury, 2016) and The Comedian as Critic (Bloomsbury, 2012).
Preface Chapter 1: 'Awfully Full of Quotations' Chapter 2: Quotation Markers and Framing Devices Chapter 3: How to Quote from Books You Haven't Read Chapter 4: Quotations in the Theatre Chapter 5: Quotations in the Classroom Chapter 6: Quotation as Performance Chapter 7: Quotations and Life Notes Bibliography Index
