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This collection offers a set of essays that discuss the new technology of memory from a variety of perspectives that explicitly investigate their impact on the very concept of the social.
Ina Blom is a Professor at the Department of Philosopy, Classics, History of Art and Ideas at the University of Oslo and Visiting Professor at the Dept. of Art History, University of Chicago. She is the author of On The Style Site. Art, Sociality, and Media Culture (2007) and The Autobiography of Video. The Life and Times of a Memory Technology (2016). Trond Lundemo is Associate Professor in Cinema Studies at The Department of Media Studies, Stockholm University. He is co-editor of The Location of History, vol. 3: Memory, Media and Materiality (in Swedish, 2016) and co-editor of the book series Film Theory in Media History at Amsterdam University Press. Eivind Røssaak is Associate Professor in the Research Department at the National Library of Norway and Visiting Professor at Nordland College of Cinema and the Arts. He is the editor of The Archive in Motion (2010) and Between Stillness and Motion (2011) and the author of The Still/Moving Image: Cinema and the Arts (2010).
Ina Blom: Introduction Oralities Chapter One: Wolfgang Ernst: 'Electrified Voices': Non-Human Agencies of Socio-Cultural Memory Chapter Two: Sonia Matos: Can Languages be Saved? Linguistic Heritage and the Moving Archive Softwares Chapter Three: Matthew Fuller, Andrew Goffey, Adrian Mackenzie, Richard Mills, Stuart Sharples: Big Diff, Granularity, Incoherence and Production in the Github Software Repository Chapter Four: David Berry: The Post-Archival Constellation: The Archive Under the Technical Conditions of Computational Media Lives Chapter Five: Jussi Parikka: Planetary Goodbyes: Post-History and Future Memories of an Ecological Past Chapter Six: Ina Blom: Video Water, Video Life, Videosociality Chapter Seven: Eivind Røssaak: FileLife: Constant, Kurenniemi and the Question of Living Archives Images Chapter Eight: Trond Lundemo: Mapping the World: Les Archives de la planète and the Mobilisation of Memory Chapter Nine: Pasi Valiaho: Stills from a Film That Was Never Made: Cinema, Gesture, Memory Chapter Ten: Liv Hausken: The Archival Promise of the Biometric Passport Socialities Chapter Eleven: Tiziana Terranova: A Neomonadology of Social (Memory) Production Chapter Twelve: Yuk Hui: On the Synthesis of Social Memories
