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This book considers the intersection of music, politics and identity, focusing on music (genres) across the world as a form of political expression and protest, positive identity formations, but also how the criminalisation, censuring, policing and prosecution of musicians and fans can occur.
Eleanor Peters is senior Lecturer in Criminology at Edge Hill University. She has a PhD from the University of Bristol. Her main research interests are in the areas of youth and family justice and the relationship between music and crime. She has published in a number of journals including the British Journal of Criminology, the International Journal of Social Research Methodology and the Journal of Social Welfare and Family Law. Her most recent book is The Use and Abuse of Music: Criminal Records published in 2019.
Chapter 1: Introduction Chapter 2: Revolutionary Music and American Protests: Four Dead in Ohio Chapter 3: The Norwegian Black Metal Second Wave: A Space for Performative Politics Chapter 4: Musical Experience as Penumbra, Haecceity & Utopian Fractal Chapter 5: Indonesian Death Metal Music and Alleged or Apparent Criminality: Policing Death Chapter 6: Decriminalising Rap Beat by Beat: Two Questions in Search of Answers Chapter 7: Human Rights and Harms: Music Chapter 8: Music in the Collective Lives of Prisoners Chapter 9: The Benefits of Music Engagement Projects on Young People: A Music and Education Perspective
