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This volume is a journey through musics that emerged at the turn of the 20th Century and were neither exclusively tonal nor serial. Works include those by Frank Bridge, Ferruccio Busoni, Mikalojus Konstantinas -iurlionis, Rebecca Clarke, and more.
Paul Fleet is a Senior Lecturer in Music at Newcastle University, UK with research specialty in Authentic Music Theory. He is also a QAA Subject Expert and Reviewer, HEA-qualified External Examiner, Senior Fellow of the HEA all whilst remaining a music theory lecturer, keynote popular-music education speaker, and a published author.
Introduction 1. Mining the Gap of Musics with and after Tonality Paul Fleet (Newcastle University, UK) 2. Mining the Gap: What Gap? Alistair Hinton (Composer and founder of the Sorabji Archive, UK) 3. Savage Minds in British Early-Twentieth Century Music Annika Forkert (Royal Northern College of Music, UK) 4. Space and Structure in Metatonal Musics Paul Fleet (Newcastle University, UK) 5. Carl Nielsen's Musical Vitalism Christopher Tarrant (Newcastle University, UK) 6. 'The cautious experiments of M. K. -iurlionis (1875-1911): tonalities and realisms in his art and music' George Kennaway (Performer and Conductor, UK) 7. J.S. Bach and Metatonality in the Early Piano Pieces of Ferruccio Busoni Erinn Knyt (University of Massachusetts Amherst, USA) 8. Ferrruccio Busoni - mirror and enigma: transcendence and the later piano works Fred Scott (City, University of London, UK) 9. Diatonic refraction through metatonal spaces Kenneth Smith (University of Liverpool, UK) 10. Transformed Desire: Scriabin's Transition Away from Functional Tonality Jeff Yunek (Kennesaw State University, USA) 11. Musicology, Mediation, Metatonality: Rethinking the Music of Rebecca Clarke and Erwin Schulhoff Chris Dromey (Middlesex University, UK)
