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This book examines the historical and contemporary tensions around mobility and identity in Europe in relation to experimental moving image practices in contemporary art and cinema.
Nilgün Bayraktar is an Assistant Professor in the Visual Studies Program at the California College of the Arts. She received her PhD in Performance Studies with a Designated Emphasis in Film & Media Studies from University of California, Berkeley. Her research focuses on transnational cinema, migratory aesthetics, film/video installations, site-specific art, new media, and performance.
Introduction: Cinematic and Artistic Takes on Migration and Mobility in Contemporary Europe Part I. Transnational Flows in Cinema 1. Cross-Border Mobility and Confinement in Turkish German Cinema: Countess Sophia Hatun and The Edge of Heaven 2. Performative Encounters and Mediated Memories in Maghrebi French Cinema: Exiles and Hidden Part II. Fragmented Journeys in Moving Image Art 3. Location and Urban Marginality in the Site-Specific Video Installation Küba 4. Tourism and Undocumented Migration in Southern Europe: The Video Essay Sudeuropa 5. Social Infrastructures of Undocumented Mobility in the Multiscreen Video Installation Sahara Chronicle Afterword: Points of Departure
